![]() Nirvana spearheaded the grunge-rock movement of the early '90s, and in many ways, their simplistic-and therefore timeless-logo has kept their movement going strong long after the band itself dissolved. Although the band only released four more albums, the logo itself has become a timeless entity in pop culture. That part of the logo was directly inspired by William Rimmer's 19th century work Evening (Fall of Day). However, an original logo which had appeared within the album Houses of the Holy, came attached with their "Swan Song" logo. Storm Thorgerson and Aubrey Powell of Hipgnosis fame (who were also responsible for Pink Floyd's most iconic imagery) were the individuals behind the logo, which made it's first initial appearance in 1973.Īt times the typography of the logo has appeared an entity in itself. However, it was at least five years into the group's existence when the now-ubiquitous typeface logo was unveiled. The voice of Robert Plant and the superior guitar work of Jimmy Page helped the band stand out with ease amidst a sea of imitators. Led Zeppelin is considered as rock elite as it gets when it comes to their discography. Perhaps no takes were more popular-or offensive-than their 1977 release of "God Save The Queen" which featured the band's riff on the Silver Jubilee portrait.ĭesigners: Storm Thorgerson, Aubrey Powell The logo would continue with the band throughout their brief existence in some form or another, including the garish pink/yellow scheme of their debut album. ![]() ![]() Simple and minimalist, the logo was the perfect accompaniment to the band's rebellious image and raw sound. The logo's first appearance to the masses came that fall, when Jamie Reid (another friend of McLaren) created promotional posters for the bands debut single "Anarchy In The U.K." Helen Wellington-Lloyd, a friend of the bands manager, Malcolm McLaren, created the logo in 1976. The image of the band was reflected within their simple logo, of cut-out, ransom note style letters. The band, home to such miscreants as Johnny Rotten and Sid Vicious, weren't exactly polite or pleasant. If The Who's logo stood as a celebration of the band's English heritage, then the Sex Pistols' served as an equally well-executed desecration of it. The eight-pronged asterisk stands as a focal point, which is completely surrounded by the bands lengthy name which appears clockwise and without spaces. ![]() Some fans of the Los Angeles band have also posed the idea of the design symbolizing an "angel's asshole." However, Kiedis stated in his book Scar Tissue that the logo was something he just came up with when the label asked for a logo to use in promotion of their first album. On many different occasions, the symbol has been often associated with the "Star of Affinity," which refers to chaos. And it was during the groups prep-time for their self-titled debut where they came up with their classic logo.įrontman Anthony Kiedis has been credited as the artist behind the asterisk-style logo. Maybe it's because the bands formation actually took place when they were still in high school, as the four founding members all attended L.A.'s Fairfax High School. The Red Hot Chili Peppers may have been founded in the mid-'80s, but they still have one of the strongest cult followings of today's generation. Most notably, the lettering features an arrow, which appears atop the letter "o" of the bands name, creating the gender symbol for male (and also indicating their meteoric rise to come). The custom font used by the band was created by fellow Englishman Brian Pike in 1964. Their logo is as simple as it gets-the Royal Air Force's target-style logo, overlaid with the band's name in black. The Who logo, a classic and clean look, has an underlying meaning of masculinity, while embracing their British identity. Long before The Who sold 100 million records worldwide, they were just another blues-based band seeking an identity during the early stages of rock & roll branding. The group had the theatrical Roger Daltrey at the helm as lead vocalist, backed by guitarist Pete Townshend, bassist John Entwistle and a madman named Keith Moon on drums. The Who made their presence felt among their fellow rock peers of the '60s and '70s primarily by playing louder than anyone else.
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